{"id":1147,"date":"2019-04-29T19:13:01","date_gmt":"2019-04-30T00:13:01","guid":{"rendered":"http:\/\/74n.71b.mywebsitetransfer.com\/?p=1147"},"modified":"2023-09-05T14:33:00","modified_gmt":"2023-09-05T14:33:00","slug":"ara-france-hommage-aux-ecrivains-de-la-grande-guerre","status":"publish","type":"post","link":"https:\/\/delphineplatten.com\/en\/2019\/04\/ara-france-hommage-aux-ecrivains-de-la-grande-guerre\/","title":{"rendered":"ARA France : Hommage aux \u00e9crivains de la Grande Guerre"},"content":{"rendered":"

Participer \u00e0 une expo, pour quoi faire ?<\/h2>\n\n\n\n

J’en ai d\u00e9j\u00e0 parl\u00e9, participer aux expositions est une forme d’exercice que je m’impose de temps en temps. Il est assez rare d’avoir des demandes de clients pour des reliures d’art, sur des beaux livres illustr\u00e9s, et avec la possibilit\u00e9 de laisser libre cours \u00e0 son imagination. C’est pourtant l’occasion de pousser ses limites<\/strong>, de se forcer \u00e0 \u00e9laborer une d\u00e9marche artistique plus dense, de s’entrainer sur des techniques plus rarement utilis\u00e9es lors du travail d’atelier. C’\u00e9tait un des premiers conseils que m’a donn\u00e9s Odette Drapeau, ma mentor et je le trouve aujourd’hui encore tr\u00e8s appropri\u00e9. Cela permet aussi de ne pas se perdre en tant qu’artiste. Et je reprends le flambeau et donne le m\u00eame conseil \u00e0 mes \u00e9l\u00e8ves, int\u00e9ress\u00e9es par l’exploration et les d\u00e9fis.<\/p>\n\n\n\n

ARA- France et l’expo th\u00e9matique…<\/h2>\n\n\n\n

ARA est un r\u00e9seau associatif, les Amis de la Reliure d’art, qui poss\u00e8de des antennes dans plusieurs pays : ARA-Canada<\/a> (dont je suis membre), ARA-France<\/a><\/strong>, ARA Belgica, ARA Suisse, etc…
ARA-Canada \u00e9dite souvent ses propres livres d’artiste pour les expositions : j’adore ! Que ce soit La Couleur du vent<\/em>, de Gilles Vigneault, illustr\u00e9 par Nastassja Imiolek<\/a> ou Chemins de traverse<\/em>, par Ghislaine et Luc Bureau, ils sont toujours uniques, avec des gravures sensibles, un travail typographique recherch\u00e9, du papier magnifique, en tirage super limit\u00e9.
ARA-France organise plut\u00f4t des expositions th\u00e9matiques, avec un livre choix d’ouvrage. Pour l’expo de 2018, il s’agissait de rendre hommage, en ce centenaire de l’armistice, aux \u00e9crivains de la Grande Guerre.
J’ai choisi un livre de Joseph Delteil, Les Poilus<\/em>. J’ai d\u00e9couvert Delteil, \u00e9crivain, lorsqu’\u00e9tudiante, je travaillais dans une librairie de livres anciens, sp\u00e9cialis\u00e9e dans l’oeuvre des Surr\u00e9alistes. L’\u00e9dition que j’ai choisie \u00e9tait agr\u00e9ment\u00e9e de gravures de Jean Oberl\u00e9, illustrateur et r\u00e9sistant oeuvrant \u00e0 Radio Londres. (Radio-Paris ment, Radis-Paris ment, Radio-Paris est allemand, c’est de lui, figurez-vous !)<\/p>\n\n\n\n

Les Poilus. \u00c9pop\u00e9e.<\/h2>\n\n\n\n

J’ai, pour cette reliure, r\u00e9alis\u00e9 un plein cuir, de veau gris et de buffle noir. La ligne de contraste entre les deux couleurs \u00e9voque la ligne de front de toutes les batailles de la Grande Guerre et l’antagonisme des bellig\u00e9rants. J’ai d\u00e9cor\u00e9 au fer et au pigment argent\u00e9 les cuirs d’une multitude de petits points al\u00e9atoires, qui repr\u00e9sentent les nombreux soldats, vu d’en haut. Parmi ces points d’argent, se d\u00e9tachent quelques points bleus et rouges, repr\u00e9sentant les bleuets de France et les coquelicots anglo-saxons, les deux fleurs du Souvenir, qui poussaient malgr\u00e9 tout sur la terre de des champs de bataille. Les tranchefiles de soie, brod\u00e9es \u00e0 la main, rouges orn\u00e9es d’une touche de marine, reprennent cette symbolique.
Ce n’est pas ma reliure la plus aboutie, j’\u00e9tais d\u00e9bord\u00e9e par le travail \u00e0 l’atelier \u00e0 ce moment-l\u00e0, mais j’\u00e9tais fi\u00e8re d’avoir \u00e9t\u00e9 capable d’envoyer quand-m\u00eame quelque chose : les expos d’ARA-France sont toujours tellement chouettes !<\/p>\n\n\n\n

Et apr\u00e8s ?<\/h2>\n\n\n\n

Apr\u00e8s les expositions, on r\u00e9cup\u00e8re en g\u00e9n\u00e9ral nos reliures. Elles peuvent \u00eatre vendues mais \u00e7a ne m’est jamais arriv\u00e9 (je pense que c’est assez rare ?). Je les garde \u00e9videmment, dans le but de me constituer un corpus d’oeuvres. Il est possible aussi de les soumettre au programme d’acquisition de la BAnQ.<\/a>
C’est ainsi que trois de mes oeuvres ont rejoint la collection patrimoniale : Soulages,<\/em> r\u00e9alis\u00e9e pour la Biennale de la reliure d’art organis\u00e9e par ARA-Belgica, La Couleur du vent<\/em>, cr\u00e9\u00e9e pour l’expo du m\u00eame nom d’ARA-Canada et J’aime<\/em>, de Julie Doucet, ex\u00e9cut\u00e9e pour mon expo \u00e0 HEC.
Pour la prochaine, j’envisageais de m’inscrire \u00e0 l’expo OPEN. SET<\/a> mais je vois que la dead-line pour l’inscription est le 1er Mai, et je n’ai encore pens\u00e9 \u00e0 rien… \u00c0 suivre!<\/p>","protected":false},"excerpt":{"rendered":"

Participer \u00e0 une expo, pour quoi faire ? J’en ai d\u00e9j\u00e0 parl\u00e9, participer aux expositions est une forme d’exercice que je m’impose de temps en temps. Il est assez rare d’avoir des demandes de clients pour des reliures d’art, sur… Continuer \u00e0 lire…<\/a><\/p>","protected":false},"author":1,"featured_media":4019,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[129],"tags":[171,168,170,169],"class_list":["post-1147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reliure-de-creation","tag-ara-canada","tag-expositions","tag-grande-guerre","tag-livre-dartiste","entry"],"yoast_head":"\nARA France : Hommage aux \u00e9crivains de la Grande Guerre | Delphine Platten<\/title>\n<meta name=\"description\" content=\"Suivez l'actualit\u00e9 de l'Atelier Delphine Platten. 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